The surface of Goth or indeed Gothic cultural texts. Specifically, I suggest that it may be mistaken to assume all the details and explanationsĪbout the motivations, behaviours and identities of Goths can be found beneath The different ways in which we might make sense of Goth subculture. Outline key elements of the style and its history here before considering some of Of socialising with one another at events such as gigs and night clubs. Music cultures – is centred for the majority of its participants upon the consumption of music and fashion, the enjoyment of a strong sense of shared identity and In his beautifully balanced, clear and broad-ranging account of a fast-changing field, Paul Hodkinson has successfully brought together myriad perspectives. To a music-and style-based subculture which, I argue, draws selectively uponĮlements of Gothic literature, art and film, but which – like various other youth Have concluded that the subculture embodies specific forms of cultural transgression rooted in the history of Gothic. Some attempts to understand contemporary Goth by means of textual analysis Ongoing broader tradition of Gothic literature, art and culture. Subject of some debate among academics, critics and participants themselves.įor some, the Goth scene constitutes merely the latest manifestation of the The significance of the contemporary Goth music subculture has been the
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